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Hardcore techno music groups (1 C, 37 P) Pages in category "Hardcore techno musicians" The following 32 pages are in this category, out of 32 total.
Minimal techno is a subgenre of techno music. [1] It is characterized by a stripped-down [ 2 ] aesthetic that exploits the use of repetition and understated development. Minimal techno is thought to have been originally developed in the early 1990s by Detroit -based producers Robert Hood and Daniel Bell .
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Hardcore (also known as hardcore techno) [2] [3] is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany [4] in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more [5]), the intensity of the kicks and the synthesized bass (in some subgenres), [6] the rhythm and the atmosphere of the themes (sometimes ...
Some drew upon the Detroit techno aesthetic, while others fused components of preceding dance music forms. This led to the appearance (in the UK initially) of inventive new music that sounded far-removed from techno. For instance jungle (drum and bass) demonstrated influences ranging from hip hop, soul, and reggae to techno and house.
Ambient techno is a subgenre of techno that incorporates the atmospheric textures of ambient music with the rhythmic elements and production of techno. [1] It was pioneered by 1990s electronic artists such as Aphex Twin , Carl Craig , The Orb , The Future Sound of London , the Black Dog , Pete Namlook and Biosphere .
In 1988, dance music entrepreneur Neil Rushton approached the Belleville Three to license their work for release in the UK. To define the Detroit sound as being distinct from Chicago house, Rushton and the Belleville Three chose the word "techno" for their tracks, a term that Atkins had been using since his Cybotron days ("Techno City" was an early single). [10]
Psychedelic trance has a distinctive, energetic sound that tends to be faster than other forms of trance or techno music with tempos generally ranging from 125 to 150 BPM. It uses a very distinctive bass beat that pounds constantly throughout the song and overlays the bass with varying rhythms drawn from funk , techno , dance , acid house ...