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Stencil graffiti is a form of graffiti that makes use of stencils made out of paper, cardboard, or other media to create an image or text that is easily reproducible. The desired design is cut out of the selected medium and then the image is transferred to a surface through the use of spray paint or roll-on paint.
Silk screening is a type of printing on paper or textiles, in which an ink is embedded in the cloth. The ink is controlled through the use of a stencil, which is placed directly over the paper or textile. This process can only handle one color of ink at a time.
Graffiti with text so stylized as to be difficult to read, often with interlocking, three-dimensional type. [8] Window Down. window-down (...) Graffiti that has been painted below the window borders, almost always covering the whole surface in its length. The term is commonly used as a prefix with whole car, although other variations are ...
Faile (USA/Canada/Japan) - stencil graffiti, street poster art, screenprinting; Ray Ferrer (USA) - spray paint, hand-cut stencils; Josh MacPhee (USA) - stencil graffiti, street poster art, screenprinting; Scott Williams (USA) Christopher Wool (USA) Shepard Fairey (USA) - stencil graffiti, street poster art, screenprinting, political art
Characters are "creatures or personas” that feature in graffiti works. [2] They may be taken from popular culture (especially cartoons and comic books) or created by the writer as a signature character. [3] Chararacters are found in almost all forms of graffiti, including ancient graffiti and the earliest forms of modern graffiti. [4]
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The concept of having unique and expressive handstyles developed slowly. When graffiti first started in the '70s, a tag's style was the writer's personal handwriting. [3] In the New York and Philadelphia in the mid '70s, different writers and crews started stylizing and personalizing their tags. Over time, the concept of a handstyle emerged ...
Paste up relied on phototypesetting, a process that would generate "cold type" on photographic paper that usually took the form of long columns of text. These printouts were often a single column in a scroll of narrow (3-inch or 4-inch) paper that was as deep as the length of the story.