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A fleuron (/ ˈ f l ʊər ɒ n,-ə n, ˈ f l ɜːr ɒ n,-ə n / [1]), also known as printers' flower, is a typographic element, or glyph, used either as a punctuation mark or as an ornament for typographic compositions. Fleurons are stylized forms of flowers or leaves; the term derives from the Old French: floron ("flower"). [2]
Letter cutting is a form of inscriptional architectural lettering closely related to monumental masonry and stone carving, often practised by artists, sculptors, and typeface designers. Rather than traditional stone carving, where images and symbols are the dominant features, in letter cutting the unique skill is "meticulous setting out and ...
Custom lettering on the spine of a 1960s book. Lettering is an act or result of artfully drawing letters, instead of writing them simply. Lettering is considered an art form, where each letter in a phrase or quote acts as an illustration. Each letter is created with attention to detail and has a unique role within a composition. [1]
The Nasta'liq style is the most popular contemporary style among classical Persian calligraphy scripts; [citation needed] Persian calligraphers call it the "bride of calligraphy scripts." This calligraphy style has been based on such a rigid structure that it has changed very little since Mir Ali Tabrizi had found the optimum composition of the ...
A variety of Clarendon revivals have been made since the original design, often adapting the design to different widths and weights. The original Clarendon design, a quite condensed design, did not feature an italic, and many early Clarendon designs, such as wood type headline faces, have capitals only with no lower-case letters, leaving many options for individual adaptation.
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Matthew Carter has cited his 1966 Snell Roundhand typeface as deliberately designed to replicate a style of calligraphy hard to simulate in metal. [10] [11] An additional development enabling more sophisticated script fonts has been the release of the OpenType format, which most fonts are now released in.
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