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Originally developed for sign painting and concrete formwork industries, MDO is also used for other applications [2]: 5 as a paintable surface. Paint finishes on MDO are up to three times more durable than the same finish applied to ordinary plywood
Formwork may be made of wood, metal, plastic, or composite materials: Traditional timber formwork. The formwork is built on site out of timber and plywood or moisture-resistant particleboard. It is easy to produce but time-consuming for larger structures, and the plywood facing has a relatively short lifespan.
Carpentry is a skilled trade and a craft in which the primary work performed is the cutting, shaping and installation of building materials during the construction of buildings, ships, timber bridges, concrete formwork, etc. Carpenters traditionally worked with natural wood and did rougher work such as framing, but today many other materials ...
Other form liner materials used can include polystyrene foam, fiberglass, and even aluminum-- styrene plastic, ABS plastic, and urethane are considered to be the industry standard, and are most often specified in plans by architects and engineers. The form liners are attached to forms and concrete is placed against the liner.
The oldest known use of fabrics as a painting support dates back to the Dynasty XII in Egypt (2000 BC).The continuous use can be traced in both Europe and Asia. In Medieval Europe fabrics was overtaken by the wood panels for church use; Renaissance, with its wider spread of paintings, saw wide use of canvas, occasionally glued to the wood, a practice that originated in the Ancient Egypt, but ...
For a ground-bearing slab, the formwork may consist only of side walls pushed into the ground. For a suspended slab, the formwork is shaped like a tray, often supported by a temporary scaffold until the concrete sets. The formwork is commonly built from wooden planks and boards, plastic, or steel.
Painting types include fine art to decorative and functional objects spanning from acrylics, frescoes, and oil paint on various surfaces, egg tempera on panels and canvas, lacquer painting, water color and more. Knowing the materials of any given painting and its support allows for the proper restoration and conservation practices.
The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...