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Exekias (Ancient Greek: Ἐξηκίας, Exēkías) was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. [1] Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision.
The Euphronios Krater (or Sarpedon Krater) is an ancient Greek terra cotta calyx-krater, a bowl used for mixing wine with water. Created around the year 515 BC, it is the only complete example of the surviving 27 vases painted by the renowned Euphronios and is considered one of the finest Ancient Greek vases in existence. [1]
Euthymides was an ancient Athenian potter and painter of vases, primarily active between 515 and 500 BC. He was a member of the Greek art movement later to be known as the Pioneer Group for their exploration of the new decorative style known as red-figure pottery . [ 1 ]
On account of their shape and painted decoration in the Orientalising style, they are among the most famous Greek vases. The amphorae are dated to the seventh and early sixth centuries BC; the last of them was made in the 580s.
In archaeological scholarship, the term Mannerists describes a large group of Attic red-figure vase painters, stylistically linked by their affected painting style. The group comprised more than 15 artists. They preferred to paint column kraters, hydriai and pelikes. They were active from about 480 BC until near the end of the 5th century BC.
Kleitias (Greek: Κλειτίας, sometimes rendered as Klitias [1]) was an ancient Athenian vase painter of the black-figure style who flourished c. 570–560 BCE. Kleitias' most celebrated work today is the François Vase (c. 570 BCE), which bears over two hundred figures in its six friezes.
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Elgin Amphora, reconstructed at the British Museum. The Elgin Amphora is a large Ancient Greek neck-handled amphora made from fired clay in Athens around 760 to 750 BC. The ceramic vessel may have been used to hold wine at a funeral feast, and then entombed with the cremated remains of the deceased.
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