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Driftwood on the beach in Sitges, Spain. Driftwood is wood that has been washed onto a shore or beach of a sea, lake, or river by the action of winds, tides or waves. It is part of beach wrack. In some waterfront areas, driftwood is a major nuisance. However, the driftwood provides shelter and food for birds, fish and other aquatic species as ...
Victorian decorative arts. Dante Gabriel Rossetti 's drawing room at No. 16 Cheyne Walk, 1882, by Henry Treffry Dunn. Victorian decorative arts refers to the style of decorative arts during the Victorian era. Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and ...
Decorative arts. The decorative arts are arts or crafts whose aim is the design and manufacture of objects that are both beautiful and functional. This includes most of the objects for the interiors of buildings, as well as interior design, but typically excludes architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms ...
German Art Nouveau is commonly known by its German name, Jugendstil, or 'Youth Style'. The name is taken from the artistic journal, Jugend ('Youth'), which was published in Munich. The magazine was founded in 1896 by Georg Hirth, who remained editor until his death in 1916. The magazine survived until 1940.
Aquascaping. Aquascaping is the craft of arranging aquatic plants, as well as rocks, stones, cavework, or driftwood, in an aesthetically pleasing manner within an aquarium —in effect, gardening under water. Aquascape designs include a number of distinct styles, including the garden-like Dutch style and the Japanese-inspired nature style. [1]
The Musée des Arts Décoratifs (English: Museum of Decorative Arts) is a museum in Paris, France, dedicated to the exhibition and preservation of the decorative arts. Located in the city’s 1st arrondissement, the museum occupies the Pavillon de Marsan, the north-western wing of the Palais du Louvre. With approximately one million objects in ...
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