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Although writing spec scripts is part of any writer's career, the Writers Guild of America forbids members to write "on speculation". The distinction is that a spec script is written as a sample by the writer on his or her own; what is forbidden is writing a script for a specific producer without a contract.
While R.U.R. was a play written by a human about robots (and humans), THEaiTRE tried to reverse this idea by presenting a play written by a "robot" (artificial intelligence) about humans (and robots). [7] The script of the play was published online, with marked parts of the text which were written manually or manually post-edited. [8]
Rewriting: The writer rewrites someone else's script for pay. The writer pitches their "take", much like they would an original pitch. Spec script: Short for "speculative" or "on speculation" as in; "She wrote her script on spec". The writer writes the script (original or someone else's idea) without being paid, and, subsequently, tries to sell it.
The script may be sent out simultaneously to all the prospective buyers in the hope of attracting a bidding war. [2] If the script sells, the writer may receive a payment of anything from a few tens of thousands of dollars to several million. The script may then be developed even further until it is "greenlit" – meaning it goes into production.
The play is the first result of the THEaiTRE research project, aiming to commemorate the centenary of the R.U.R. play by Karel Čapek by investigating to what extent artificial intelligence could be used to create theatre play scripts. [1] [2] [3] The script of the play was created using the THEaiTRobot tool, [4] based on the GPT-2 language ...
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The term "play" can encompass either a general concept or specifically denote a non-musical play. In contrast to a "musical", which incorporates music, dance, and songs sung by characters, the term "straight play" can be used. For a brief play, the term "playlet" is occasionally employed. The term "script" pertains to the written text of a play.