Search results
Results from the WOW.Com Content Network
Pages in category "Nat King Cole songs" ... An Affair to Remember (Our Love Affair) All for You (1943 song) ... Around the World (1956 song) At Last; Autumn Leaves ...
L-O-V-E was Cole's last album, and was released shortly before his death in February 1965. The songs "The Girl from Ipanema", "My Kind of Girl" and "More (Theme From Mondo Cane)" were recorded December 1–3, 1964, shortly after Cole's diagnosis with lung cancer, and were the last recordings he made. [3]
For international versions of his L-O-V-E album, Nat King Cole also recorded versions of "L-O-V-E" and other songs, in Japanese (mixed with English words), [4] Italian, [5] German, [6] Spanish [7] and French. [8] In this last language, the song was renamed "Je Ne Repartirai Pas" and translated by Jean Delleme.
Love Songs brings together tracks from throughout Nat "King" Cole's recording career with Capitol records. The swing pianist turned ballad vocalist had a prolific chart run in the 1950s. The swing pianist turned ballad vocalist had a prolific chart run in the 1950s.
For Sentimental Reasons: 25 Early Vocal Classics (or simply For Sentimental Reasons) is one of a number of albums released on the ASV/Living Era label, featuring recording artists mostly from the 1940s and 1950s, named for one of the major hits by the artist in question.
This Is Nat King Cole is an original compilation album by Nat King Cole. It was released in 1957 by Capitol Records . The LP collection reached #18 on the Billboard Magazine album chart.
Nat King Cole Sings for Two in Love is a 1953 album by Nat King Cole, arranged by Nelson Riddle. It was expanded and re-released for the larger 12-inch format in 1955, adding four songs. It was expanded and re-released for the larger 12-inch format in 1955, adding four songs.
Let's Face the Music! is a 1964 studio album by Nat King Cole, arranged by Billy May.It was recorded in November 1961, and released three years later. [4]The initial Billboard review from February 29, 1964 commented that "The fine blend of Cole singing is beautifully melded with the smart, witty and swinging backing supplied by Billy May...The tempos are mostly in that grand, finger-poppin ...