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"(Just Like) Starting Over" was the first single released from Double Fantasy and the first new recording Lennon had released since he left the music industry in 1975. [3] It was chosen by Lennon not because he felt it was the best track on the album, but because it was the most appropriate following his five-year absence from the recording industry.
In terms of music notation, "The Middle of Starting Over" was composed using 4 4 common time in the key of D major, with a lively, pushing forward tempo of 92 beats per minute. [4] The song follows the chord progression of D–A/C ♯-Bm-G and Carpenter's vocal range spans from the low note A3 to the high note of A4, giving the song one octave ...
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The augmented chord, (which appears upon three of the minor key,) is commonly found upon one, four, or five of a major key. In its resolution the fundamental may either remain stationary, descend five degrees, or ascend four degrees; the third may either ascend a minor second [I+, IV (Play ⓘ) and I+, IV 6 4 (Play ⓘ)], or remain stationary ...
3. Prince. Like many people on this list, Prince made up for not being able to read sheet music by having an unusually good ear for melody and an intuitive sense of what chord should go where. He ...
Starting Over, a 1991 novel by Kathy Clark Gen¹³: Starting Over , a 1999 collected edition of the first seven issues of Gen¹³ (vol. 2), a WildStorm comic book series Starting Over , a 2001 novel by Penny Jordan ; the tenth installment in The Perfect Crightons series
Methods that establish the key for a particular piece can be complicated to explain and vary over music history. [citation needed] However, the chords most often used in a piece in a particular key are those that contain the notes in the corresponding scale, and conventional progressions of these chords, particularly cadences, orient the listener around the tonic.
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.