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In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations [ 2 ] and are still used in various musical styles to this day.
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Examples include the Neapolitan Major scale (fourth mode of the Major Locrian scale), the Javanese slendro, [4] the chromatic scale, whole-tone scale, Dorian scale, the Aeolian Dominant scale (fifth mode of the melodic minor), and the double harmonic scale. Pitch constellations of five symmetric scales.
the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♮ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
Udayaravichandrika scale with shadjam at C. Udayaravichandrika is a symmetric rāgam that does not contain rishabham or dhaivatam.It is a pentatonic scale (audava-audava rāgam in Carnatic music classification – audava meaning 'of five') and is equivalent to the minor pentatonic scale in Western music. [4]