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The early Marathi literature emerged during the Seuna (Yadava) rule, because of which some scholars have theorized that it was produced with support from the Yadava rulers. [4] The Yadavas did regard Marathi as a significant language for connecting with the general public, [ 5 ] and Marathi replaced Kannada and Sanskrit as the dominant language ...
Bakhar is a form of historical narrative written in Marathi prose. Bakhars are one of the earliest genres of medieval Marathi literature. [1] More than 200 bakhars were written in the seventeenth to nineteenth centuries, the most important of them chronicling the deeds of the Maratha ruler Shivaji.
Growing exhausted, he ate a hare among his catch and carried the other beasts to his father. Vashistha , the family priest of the dynasty of Ikshvaku, was requested to consecrate the offering. He declared that it was impure, since Vikukshi had eaten a hare among it, making his meal a residue.
Fatigue in a medical context is used to cover experiences of low energy that are not caused by normal life. [2] [3]A 2021 review proposed a definition for fatigue as a starting point for discussion: "A multi-dimensional phenomenon in which the biophysiological, cognitive, motivational and emotional state of the body is affected resulting in significant impairment of the individual's ability to ...
Pages in category "Marathi-language literature" The following 45 pages are in this category, out of 45 total. This list may not reflect recent changes. *
Dalit literature in the modern era emerged in the Marathi language as a literary movement as a precursor to its flourishing in various Indian languages. [18] In 1958, the term "Dalit literature" was used at the first conference of Maharashtra Dalit Sahitya Sangha (Maharashtra Dalit Literature Society) in Mumbai [19]
In the medieval period, literature in Kannada and Telugu appeared in the 9th and 10th centuries, respectively. [4] Later, literature in Marathi, Gujarati, Bengali, Assamese, Odia, and Maithili appeared. Thereafter literature in various dialects of Hindi, Persian and Urdu began to appear as well.
In his preface to Yayati, Khandekar states that he was drawn to the original story from the Mahabharata at multiple levels, and for many reasons. [1] The resulting novel is a modern retelling of the story of the Hindu king, who enjoyed all the pleasures of the flesh for a millennium only to realise how empty of meaning was his pursuit of desire.