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"45" is a song by American rock band Shinedown. The song was released on July 13, 2003, on the album Leave a Whisper. Following the album's release, "45" became a popular single. An acoustic cover of "45" was featured on the album's re-release on June 15, 2004.
Shinedown is an American rock band from Jacksonville, Florida, formed by singer Brent Smith in 2001 after the dissolution of his previous band, Dreve. Smith, still under contract with record label Atlantic Records, recruited the band's original lineup of Jasin Todd as guitarist, Brad Stewart on bass, and Barry Kerch on drums.
Shinedown has since released six more studio albums: Us and Them (2005), The Sound of Madness (2008), Amaryllis (2012), Threat to Survival (2015), Attention Attention (2018), and Planet Zero (2022). In 2014, Smith and Zach Myers started an acoustic side project called Smith & Myers. [17] Smith performing with Shinedown in 2016
Leave a Whisper paved the way for Shinedown's successful second album, Us and Them, and was re-released on June 15, 2004, to incorporate a cover version of Lynyrd Skynyrd's "Simple Man". The album's singles also fared well, with "Fly from the Inside" reaching No. 5, "45" reaching No. 3, "Simple Man" reaching No. 5, and "Burning Bright" reaching ...
It should only contain pages that are Shinedown songs or lists of Shinedown songs, as well as subcategories containing those things (themselves set categories). Topics about Shinedown songs in general should be placed in relevant topic categories .
"Cut the Cord" is a song by American rock band Shinedown. It was released on June 29, 2015 as the lead single from the band's fifth studio album, Threat to Survival. The song reached No. 1 on the Billboard Mainstream Rock chart, their ninth single to do so. It was featured as the official theme song of WWE’s Hell in a Cell (2015).
Threat to Survival is the fifth studio album by American rock band Shinedown.It was announced on August 7, 2015 that the album would be released on September 18, 2015, via Atlantic Records. [4]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.