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Richard E. Roeper (born October 17, 1959) [1] is an American columnist and film critic for the Chicago Sun-Times. He co-hosted the television series At the Movies with Roger Ebert from 2000 to 2008, serving as the late Gene Siskel's successor. [2] [3] From 2010 to 2014, he co-hosted The Roe and Roeper Show with Roe Conn on WLS-AM. [4]
In the episode, entitled "Siskel & Ebert & Jay & Alice" (which aired in 1995), Siskel and Ebert split and each wants Jay Sherman, the eponymous film critic, as his new partner. [31] The episode is a parody of the film Sleepless in Seattle .
Its original hosts were Roger Ebert and Gene Siskel, the former hosts of Sneak Previews on PBS (1975–1982) and a similarly titled syndicated series (1982–1986). [1] After Siskel died in 1999, [2] Ebert worked with various guest critics until choosing Chicago Sun-Times colleague Richard Roeper as his regular partner in 2000. [3]
Roger Joseph Ebert (/ ˈ iː b ər t / EE-bərt; June 18, 1942 – April 4, 2013) was an American film critic, film historian, journalist, essayist, screenwriter and author.He was the film critic for the Chicago Sun-Times from 1967 until his death in 2013.
Richard Roeper of the Chicago Sun-Times gave the film a grade of "B", praising Weinstein and Measom's directorial style. Though Roeper thought that the film lost some momentum when exploring the minutiae of the Washington University hoax, and found the shift in focus of the last third of the film to the matter of José Alvarez's identity ...
Roger Ebert, film critic for the Chicago Sun-Times for nearly half a century, and a game-changing television presenter, died Thursday at the age of 70. Ebert had been in ill health for some time.
Richard Roeper gave the film a C− and called the film "a huge disappointment". His main complaint about the film was its running time and most of the unnecessary supporting characters. [15] The New Yorker ' s Richard Brody writes, This Is 40 "is the stuff of life, and it flows like life, and, like life, it would be good for it to last longer ...
In his July 3, 2008 blog, Roger Ebert recalled naming Wit one of the year's best on his Best Films of 2001 program with Richard Roeper, even though it never opened theatrically. He described it as "both intelligent and heartbreaking" and called Emma Thompson's performance "her best work on film."