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The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."
A Comprehensive Grammar of the English Language, for instance, refers to the semantically based "covert" gender (e.g. male and female, not masculine and feminine) of English nouns, as opposed to the "overt" gender of some English pronouns; this yields nine gender classes: male, female, dual, common, collective, higher male animal, higher female ...
And even with nouns referring to persons, one could not always determine gender by meaning or form: for example, with two words ending in -mæg, there was the female-specific neuter noun wynmæg, meaning "winsome maid" or attractive woman; as well as the gender-neutral noun meaning "paternal kindred" or member of father's side of the family ...
The terms womyn and womxn have been criticized for being unnecessary or confusing neologisms, due to the uncommonness of mxn to describe men. [8] [9] [10]The word womyn has been criticized by transgender people [11] [12] due to its usage in trans-exclusionary radical feminist circles which exclude trans women from identifying into the category of "woman", particularly the term womyn-born womyn.
Smug-faced readers, managing editors, and big bosses don't like the true texts of women- female-sexed texts. That kind scares them. [19] For Cixous, écriture féminine is not only a possibility for female writers; rather, she believes it can be (and has been) employed by male authors such as James Joyce or Jean Genet. [20]
During the feminine phase, female writers adhered to male values. In the feminist phase, there was a theme of criticism of women's role in society. And in the female phase, it was now assumed that women's works were valid, and the works were less combative than in the feminist phase. [11]
While previous figures like Virginia Woolf and Simone de Beauvoir had already begun to review and evaluate the female image in literature, [2] and second-wave feminism had explored phallocentrism and sexism through a female reading of male authors, gynocriticism was designed as a "second phase" in feminist criticism – turning to a focus on, and interrogation of female authorship, images, the ...
Women's fiction edition of Ms. magazine in 2002. Women's fiction is an umbrella term for women-centered books that focus on women's life experience that are marketed to female readers, and includes many mainstream novels or women's rights books. It is distinct from women's writing, which refers to literature written by (rather than promoted to ...