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Fleur-de-lis is the stylized depiction of the lily flower. The name itself derives from ancient Greek λείριον > Latin lilium > French lis.. The lily has always been the symbol of fertility and purity, and in Christianity it symbolizes the Immaculate Conception.
Pages in category "Flower paintings" The following 61 pages are in this category, out of 61 total. This list may not reflect recent changes. A. Almond Blossoms; B.
The official logo of the French Republic, with Marianne and the national motto, Liberté, égalité, fraternité. National symbols of France are emblems of the French Republic and French people, and they are the cornerstone of the nation's republican tradition. The national symbols of the French Fifth Republic are: [1] The French flag
While France does not have an official national flower, the fleur-de-lis, which was a symbol of the royal family, as well as the cornflower (blue), marguerite (white), and red poppy, which together represent the tri-colored national flag, are also generally treated as French national flowers. [citation needed]
Born in Grenoble, Isère, Ignace Henri Jean Théodore Fantin-Latour first had drawing lessons with his father Théodore Fantin-Latour (1805-1875), who was a painter. [2] In 1850 he moved to Paris where he enrolled in the small Paris School of Drawing, where he studied with Louis-Alexandre Péron and Horace Lecoq de Boisbaudran, an innovative and non-traditional instructor who developed his own ...
The Bunch of Flowers (1891) by Paul Gauguin. The Bunch of Flowers or Flowers of France (French: Le bouquet de fleurs [lə bukɛ d(ə) flœʁ]; Tahitian: Te tiare farani) [needs IPA] is an oil on canvas painting by Paul Gauguin, from 1891. It is held in the Pushkin Museum in Moscow. It was one of the first in his series of Tahitian works.
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Pierre-Joseph Redouté (French pronunciation: [pjɛʁ ʒozɛf ʁədute], 10 July 1759 – 19 June 1840), was a painter and botanist from the Austrian Netherlands, known for his watercolours of roses, lilies and other flowers at the Château de Malmaison, many of which were published as large coloured stipple engravings. [1]