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Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
Among Nok terracotta sculptures at Pangwari, there are sculptures portraying a large teeth-bearing therianthropic (human-feline) figure and the torso of a seated figure wearing a belt around their waist and a necklace, which had added features (e.g., bows, knots); there are also sculptures portraying the head of a human figure that has a bird ...
In his article, Georges Meurant, collector, author of studies on African art and former professor at the Royal Academy of Fine Arts in Brussels, Belgium, discusses the mostly small-format sculptures made of wood or clay of the ethnic groups south of the Kenyan border in the north-eastern part of the country. [28]
African art is produced using a wide range of materials and takes many distinct shapes. Because wood is a prevalent material, wood sculptures make up the majority of African art. Other materials used in creating African art include clay soil. Jewelry is a popular art form used to indicate rank, affiliation with a group, or purely aesthetics. [16]
Black fiber mantle sewn around bottom of mask. According to Bobo beliefs, the god Wuro created the world and then appointed his son, Dwo, to assist humanity. All Bobo masks serve as a means of contact between human beings and these deities; some represent the deities themselves while others, called bolo masks, depict animals and people.
To the Yoruba, art began when Olódùmarè commissioned the artist deity Obatala to mold the first human image from clay. Today, it is customary for the Yoruba to wish pregnant women good luck with the greeting: May Obatala fashion for us a good work of art. [7] [failed verification] The concept of ase influences how many of the Yoruba arts are ...
The basal neck rings are incised. The mouth is within the upper neck ring. Two crescent shaped pieces of clay were joined at the edges to form the lips which then taper into the cheeks. The lips are open approximately 5 mm. Teeth were made by inserting clay pegs between the lip gaps. There is a large gap depicted between the two front teeth.
Because they are aggressive, many nkondi with human figures are carved with their hands raised, sometimes bearing weapons. The earliest representation of an nkisi in this pose can be seen in the coat of arms of the Kingdom of Kongo, designed around 1512 and illustrated between 1528 and 1541, where a broken "idol" is shown with this gesture at the base of the shield. [5]