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[3] [1] By the mid-1980s AMC Theatres used CinemaScore data when choosing films for its locations. [2] A website was launched by CinemaScore in 1999, [6] after three years' delay in which the president sought sponsorship from magazines and video companies. Brad Peppard was president of CinemaScore Online from 1999 to 2002. [7]
Version 1.4.2 also implements post-show log record collection utilizing SMPTE 430-17 SMS-OMB Communications Protocol Specification. Additionally, Version 1.4.2 incorporated two prior addenda: the Digital Cinema Object-Based Audio Addendum, dated October 1, 2018 and the Stereoscopic Digital Cinema Addendum, Version 1.0, dated July 11, 2007.
Censorship boards were originally independent bodies under the police chiefs of the cities of Madras (now Chennai), Bombay (now Mumbai), Calcutta (now Kolkata), Lahore (now in Pakistan), and Rangoon (now Yangon in Myanmar) it was amended again on 1 August 2023 with the introduction of cinematography amendment bill. The bill awaits presidential ...
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Cineworld reported $4.84 billion in debt in its 2021 annual report. Shares of Cineworld dropped more than 80% after the Wall Street Journal report published Friday. Regal previously went through ...
The top management of multinational cinema chain Cineworld are to receive up to $35 million to exit the company as it emerges from Chapter 11 proceedings, according to a report. The company’s ...
The National Association of Theatre Owners (NATO) is an American trade organization whose members are the owners of movie theaters.Most of the worldwide major theater chains' operators are members, as are hundreds of independent theater operators; collectively, they account for the operation of over 35,000 motion picture screens in all 50 U.S. states and over 33,000 screens in 100 other countries.
A screen quota is a country's legislated policy that enforces a minimum number of days each year for the cinematic screening of that country's own films (and sometimes a minimum number of said films each year) in order to protect the status of those films, primarily as a method of preventing foreign markets from making inroads into the country's domestic film market.