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The architecture of Norway has evolved in response to changing economic conditions, technological advances, demographic fluctuations and cultural shifts. While outside architectural influences are apparent in much of Norwegian architecture, they have often been adapted to meet Norwegian climatic conditions, including: harsh winters, high winds and, in coastal areas, salt spray.
The design evolved as the entrance was moved between the living room and main room; all the rooms in the house were joined by a central passageway, this layout was known as a gangabær. This was possibly in response to a deteriorating climate, and as timber supplies dwindled, people went back to living in the one-room baðstofa layout.
The floor of a turf house could be covered with wood, stone or earth depending on the purpose of the building. They also had a fireplace that would be in the center of the house heating and lighting the whole house. Over time, the turf houses changed in size which directly related to their purpose and status of the owner.
The east wing is the main wing of the house, with a square three-story tower at the north end and a two-story tower at the south end. Scandinavian serpent designs are carved into the wood above the door and windows facing the lake and above the door facing the courtyard.
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This list of house styles lists styles of vernacular architecture – i.e., outside any academic tradition – used in the design of houses. African
The style design is characterized by a minimalist, clean-lined approach that looks to combine functionality with beauty, well-crafted, classic, and timeless. With an emphasis being put on utilizing natural materials to improve daily life through unique, purposeful design, durability and reliability. The Scandinavian mid-century modern goal was ...
The Stockholm Palace. After the Rise of Sweden as a Great Power in the 17th century, the aristocracy began to build again. At the same time, the notion of the architect was established and the profession developed, its reputation bolstered by the works of Simon de la Vallée and Nicodemus Tessin the Elder.
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