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Ardhanarishvara represents the synthesis of masculine and feminine energies of the universe (Purusha and Prakriti) and illustrates how Shakti, the female principle of God, is inseparable from (or the same as, according to some interpretations) Shiva, the male principle of God, and vice versa. The union of these principles is exalted as the root ...
In the Vaishnava tradition, the divine feminine energy (shakti) implies a divine source of energy of the masculine aspect of God, "Sita relates to Rama; Lakshmi belongs to Narayana; Radha has Her Krishna." The female, in these divine pairs, is viewed as the source of energy and essence of the male form.
t. e. Yin and yang (English: / jɪn /, / jæŋ /), also yinyang[1][2] or yin-yang, [3][2] is a concept that originated in Chinese philosophy, describing an opposite but interconnected, self-perpetuating cycle. Yin and yang can be thought of as complementary and at the same time opposing forces that interact to form a dynamic system in which the ...
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Wiccan views of divinity are generally theistic, and revolve around a Goddess and a Horned God, thereby being generally dualistic.In traditional Wicca, as expressed in the writings of Gerald Gardner and Doreen Valiente, the emphasis is on the theme of divine gender polarity, and the God and Goddess are regarded as equal and opposite divine cosmic forces.
She will find balance between both sides and actively work towards keeping that balance. Murdock: "The heroine must become a spiritual warrior. This demands that she learn the delicate art of balance and have the patience for the slow, subtle integration of the feminine and masculine aspects of her nature." [1]
Venus with a Mirror (c. 1555) by Titian, showing the goddess Venus as the personification of femininity. Femininity (also called womanliness) is a set of attributes, behaviors, and roles generally associated with women and girls. Femininity can be understood as socially constructed, [ 1 ][ 2 ] and there is also some evidence that some behaviors ...
Igbo cosmology presents a balance between the feminine and masculine, perhaps, with a preponderance of female representation in Igbo lore. [19] In Igbo cosmology, the world was divided into four corners by the high god corresponding to èké órìè àfọ̀ ǹkwọ́ which are the days of the week in the Igbo calendar regarded as market days.