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Southpole is an American wholesale clothing and fashion company, designer, distributor, licensor, and marketer based in Fort Lee, New Jersey, with operating headquarters in New York City. The company was founded in 1991 by two Korean American brothers, David Khym and Kenny Khym under their company name, Wicked Fashions Inc.
Retrieved from "https://en.wikipedia.org/w/index.php?title=South_Pole_(Clothing)&oldid=150655879"
Folk costume, traditional dress, traditional attire or folk attire, is clothing associated with a particular ethnic group, nation or region, and is an expression of cultural, religious or national identity. If the clothing is that of an ethnic group, it may also be called ethnic clothing or ethnic dress.
Southern Appalachian dialect can be heard in much of the state though mostly south of Clarksburg. [88] Country music is one of the most popular genres in the state, WWVA Jamboree out of Wheeling was the second oldest venue for country music after the Grand Ole Opry in Nashville. Charleston is one of the highest per capita markets for country ...
The changing of fashion was unthinkable, so the use of different trimmings was all that distinguished clothing from one season to the next. Conspicuous waste and conspicuous consumption defined the fashions of the decade and the outfits of the couturiers of the time were extravagant, ornate, and painstakingly made. The curvaceous S-Bend ...
The Old Man of the South Pole is often depicted in Chinese pictures as an old man with a long white beard with a deer by his side. This style of picture is related to the story of an emperor of the Northern Song dynasty, who had invited such an old man from the street and later considered the old man as the sign of his longevity. [citation needed]
Over time, the development of the craft of wool weaving in Mesopotamia led to a great variety in clothing. Thus, towards the end of the 3rd millennium BC and later men wore tunics with short sleeves and even over the knees, with a belt (over which the rich wore a wool cloak).
Prior to this time, the style and traditions of the Ancien Régime prevented the conceptualization of "the self". Instead, one's identity was considered malleable; subject to change depending on what clothes one was wearing. However, by the 1780s, the new, "natural" style allowed one's inner self to transcend their clothes. [9]