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  2. Black-on-black ware - Wikipedia

    en.wikipedia.org/wiki/Black-on-black_ware

    Black-on-black ware pot by María Martinez of San Ildefonso Pueblo, circa 1945. Collection deYoung Museum. Black-on-black ware is a 20th and 21st-century pottery tradition developed by Puebloan Native American ceramic artists in Northern New Mexico. Traditional reduction-fired blackware has been made for centuries by Pueblo artists and other ...

  3. Ceramics of Indigenous peoples of the Americas - Wikipedia

    en.wikipedia.org/wiki/Ceramics_of_indigenous...

    Ceramics of Indigenous peoples of the Americas is an art form with at least a 7500-year history in the Americas. [1] Pottery is fired ceramics with clay as a component. Ceramics are used for utilitarian cooking vessels, serving and storage vessels, pipes, funerary urns, censers, musical instruments, ceremonial items, masks, toys, sculptures ...

  4. Pueblo pottery - Wikipedia

    en.wikipedia.org/wiki/Pueblo_pottery

    [62] Native American modern and contemporary art, and pueblo pottery and other "crafts" face a kind of double jeopardy because in the past not only have "craft-based media" been excluded from American art history, the field has frequently marginalized Native American art and the artists that make these works, relinquishing them to the realms of ...

  5. Maria Martinez - Wikipedia

    en.wikipedia.org/wiki/Maria_Martinez

    Maria Poveka Montoya Martinez (c. 1887 – July 20, 1980) was a Puebloan artist who created internationally known pottery. [1] [2] Martinez (born Maria Poveka Montoya), her husband Julian, and other family members, including her son Popovi Da, examined traditional Pueblo pottery styles and techniques to create pieces which reflect the Pueblo people's legacy of fine artwork and crafts.

  6. Marie Z. Chino - Wikipedia

    en.wikipedia.org/wiki/Marie_Z._Chino

    Marie Zieu Chino (1907–1982) was a Native American potter from Acoma Pueblo, New Mexico. Marie and her friends Lucy M. Lewis and Jessie Garcia are recognized as the three most important Acoma potters during the 1950s. Along with Juana Leno, they have been called "The Four Matriarchs" who "revived the ancient style of Acoma pottery." [1]

  7. Nampeyo - Wikipedia

    en.wikipedia.org/wiki/Nampeyo

    An example is a 1930s vase in the collection of the Smithsonian Institution's National Museum of the American Indian in Washington, D.C. [18] Her work is distinguished by the shapes of the pottery and the designs. She made wide, low, rounded, shaped pottery and, in later years, tall jars. [9]

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