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Italian names, with their fixed nome and cognome structure, differ from the ancient Roman naming conventions, which used a tripartite system of given name, gentile name, and hereditary or personal name (or names). The Italian nome is not analogous to the ancient Roman nomen; the Italian nome is the given name (distinct between siblings), while ...
The "bowl" haircut with the back of the neck shaved was popular in mid-15th century. Hose or chausses worn with braies and tied to a belt, 1440. Back view of a knee-length Italian cioppa or houppelande of figured silk. One sleeve is turned back to the shoulder to reveal the lining and the doublet sleeve beneath.
Amelia (given name) Angelica (given name) Angelina (given name) Anita (given name) Annalisa (given name) Annamaria. Annetta (given name) Annina. Annunziata.
The Italian Renaissance (Italian: Rinascimento [rinaʃʃiˈmento]) was a period in Italian history between the 14th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked the transition from the Middle Ages to modernity.
In English, the word was borrowed from Italian during the 16th century through the French form courtisane, especially associated with the meaning of donna di palazzo. [2] A male figure comparable to the courtesan was the Italian cicisbeo, the French chevalier servant, the Spanish cortejo or estrecho.
Naming conventions for women in ancient Rome differed from nomenclature for men, and practice changed dramatically from the Early Republic to the High Empire and then into Late Antiquity. Females were identified officially by the feminine of the family name (nomen gentile, that is, the gens name), which might be further differentiated by the ...
A. Giovanna d'Acquapendente. Anne of Savoy. Antonia Malatesta of Cesena. Antonia Uccello. Caterina Appiani. Isabella of Aragon, Duchess of Milan. Isotta degli Atti.
Sculptor. Movement. Italian Renaissance. Quattro Santi Coronati, around 1408-15. Orsanmichele, Florence. Nanni d'Antonio di Banco (c. 1384 – 1421) was an Italian Renaissance sculptor from Florence. He was a contemporary of Donatello – both are first recorded as sculptors in the accounts of the Florence Duomo in 1406, presumably as young ...