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The Santa Maria del Fiore cathedral in Florence possesses the largest brick dome in the world, [2] [3] and is considered a masterpiece of European architecture.. Filippo di ser Brunellesco di Lippo Lapi (1377 – 15 April 1446), commonly known as Filippo Brunelleschi (/ ˌ b r uː n ə ˈ l ɛ s k i / BROO-nə-LESK-ee; Italian: [fiˈlippo brunelˈleski]) and also nicknamed Pippo by Leon ...
The new architectural philosophy of the Renaissance is best demonstrated in the churches of San Lorenzo, and Santo Spirito, Florence. Designed by Brunelleschi in about 1425 and 1428 respectively, both have the shape of the Latin cross. Each has a modular plan, each portion being a multiple of the square bay of the aisle.
Filippo Brunelleschi Albrecht Dürer Michelangelo Sandro Botticelli Titian El Greco. Albrecht Altdorfer; Jean Bullant; Agnolo Bronzino; Pieter Brueghel the Elder; Pieter Brueghel the Younger
In architecture, Filippo Brunelleschi was foremost in studying the remains of ancient classical buildings. With rediscovered knowledge from the 1st-century writer Vitruvius and the flourishing discipline of mathematics, Brunelleschi formulated the Renaissance style that emulated and improved on classical forms.
The Santa Maria del Fiore cathedral in Florence by Filippo Brunelleschi, which has the largest brick dome in the world, [1] [2] and is considered a masterpiece of world architecture. Italy has a very broad and diverse architectural style, which cannot be simply classified by period or region, due to Italy's division into various small states ...
The Lives of the Most Excellent Painters, Sculptors, and Architects (Italian: Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as The Lives (Italian: Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older ...
In Ghiberti "the mood is far gentler" than Brunelleschi's "stark, stoic interpretation". Ghiberti's Isaac was an idealized nude, with "the suggestion of a touchingly mute and child-like heroism in the face of inexplicable doom", [ 141 ] also described as "the first truly Renaissance nude figure; in it naturalism and classicism are blended and ...
Here he knew contemporary art innovators such as Filippo Brunelleschi, Donatello and Masaccio, with whom he shared an interest for Renaissance humanism and classical art. Alberti was the first post-classical writer to produce a work of art theory , as opposed to works about the function of religious art or art techniques, and reflected the ...