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Pillaiyar Suḻi (Tamil: பிள்ளையார் சுழி), also rendered Ganesha's curl or Ganesha's circle, is a sacred textual symbol. It is dedicated to the Hindu deity Pillaiyar (Ganesha), who is ritually worshiped first with prayers for success and is used to symbolize an auspicious beginning.
Mahaganapati, folio from the Sritattvanidhi (19th century). Here he is depicted with ten arms and accompanied by a goddess. Mahaganapati (Sanskrit: महागणपति, mahā-gaṇapati), literally "Ganesha, the Great" [1]), also spelled as Maha Ganapati, and frequently called Mahaganadhipati, is an aspect of the Hindu god Ganesha.
Ganesha is mentioned in Hindu texts between the 1st century BCE and 2nd century CE, and a few Ganesh images from the 4th and 5th centuries CE have been documented by scholars. [13] Hindu texts identify him as the son of Parvati and Shiva of the Shaivism tradition, but he is a pan-Hindu god found in its various traditions.
Bala Ganapati (Sanskrit: बाल-गणपति, bāla-gaṇapati, literally "child Ganapati") is an aspect of the Hindu god Ganesha (Ganapati), the elephant-headed of wisdom and fortune, depicted as a child. [1] There are few portrayals of Ganesha as a small boy caressed by his parents, Parvati and Shiva. [1]
Ganesh Chaturthi [3] [4] Makar Sankranti [3] Kark Sankranti [3] Maha Shivaratri [3] Lakshmi Pujan [3] The art form is practised in different parts of India and known by different terms too. The art native to Kumaon is always done on a brick-red wall, which is also considered to be a symbol of fortune and fertility. Some of the motifs are ...
These sectarians used to brand by iron the head of Ganesha and his tusk on their palms. [5] Haridra Ganapati is a Tantric form of Ganesha. Special mantras and yantras are used in his worship. Rituals involving his worship generally are performed to fulfill material objectives, especially gaining boons related to sexuality.
Thirty-two forms of Ganesha are mentioned frequently in devotional literature related to the Hindu god Ganesha. [1] [2] [3] The Ganesha-centric scripture Mudgala Purana is the first to list them. [4] Detailed descriptions are included in the Shivanidhi portion of the 19th-century Kannada Sritattvanidhi.
Central image of Ganesha with Siddhi and Buddhi on his side, Morgaon temple. The Ganesha Purana and the Mudgala Purana contain descriptions of Ganesha flanked by Siddhi and Buddhi. [11] In these two Puranas they appear as an intrinsic part of Ganapati [12] and according to Thapan [13] do not require any special rituals associated with shakti ...
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