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Due to all the propaganda targeting female wartime duties, the number of women working jumped 15% from 1941 to 1943. [252] Women were the primary figures of the home front, which was a major theme in the poster propaganda media, [ 253 ] and, as the war continued, women began appearing more frequently in war posters.
During the early days of the Cold War, many prominent women were listed as communists or fellow travellers in the American anti-communist publication Red Channels: The Report of Communist Influence in Radio and Television in June 1950. [1]
Fruits of Victory: The Woman's Land Army of America in the Great War. ISBN 978-1-59797-273-4. (excerpts in Smithsonian; NPR interview.) Stephanie A. Carpenter (2003). On the Farm Front: The Women's Land Army in World War II. ISBN 978-0-87580-314-2. "Agriculture" in The Great Plains During World War II, ed. by R. Douglas Hurt. The Plains ...
[1] [2] These women sometimes took entirely new jobs replacing the male workers who joined the military. She is widely recognized in the "We Can Do It!" poster as a symbol of American feminism and women's economic advantage. [3] Similar images of women war workers appeared in other countries such as Britain and Australia. The idea of Rosie the ...
The 1920s saw the emergence of the co-ed, as women began attending large state colleges and universities. Women entered into the mainstream middle-class experience, but took on a gendered role within society. Women typically took classes such as home economics, "Husband and Wife", "Motherhood" and "The Family as an Economic Unit".
Charlie Chaplin once again joined the U.S. war effort, creating The Great Dictator (1940), in which he played the Hitler-like character of 'Adenoid Hynkel' — this was preceded by some nine months by the short subject starring The Three Stooges, You Nazty Spy!, as Moe Howard was the first American actor (as "Moe Hailstone") to spoof Hitler in ...
George G. Butterworth, "GeeBee", likewise was on Hitler's "death list" [4] for his continued lambasting of the Reich. His cartoons were dropped by the RAF over Poland and Czechoslovakia as propaganda during the war. [5] Dr. Seuss' "Waiting for the Signal from Home"
The Office of War Information went on to engage in a propaganda campaign aimed to generate a sense of belonging and loyalty with America and African-Americans. [16] An initial piece of propaganda in 1942, 2.5 million pamphlets of "Negros and the War," was largely distributed and argued that without America, African-Americans could not fight for ...