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Between 1946 and 1971, the book sold only 28,000 hardback copies, and a paperback edition was not issued until 1967. [8] Benedict played a major role in grasping the place of the Emperor of Japan in Japanese popular culture, and formulating the recommendation to President Franklin D. Roosevelt that permitting continuation of the Emperor's reign had to be part of the eventual surrender offer.
Children's instructive toy chariot in Chinese display at Expo 2005 in Japan. The invention of the south-pointing chariot also made its way to Japan by the 7th century. The Nihon Shoki (The Chronicles of Japan) of 720 described the earlier Chinese Buddhist monks Zhi Yu and Zhi You constructing several south-pointing Chariots for Emperor Tenji of Japan in 658. [9]
Arriving Japanese samurai prepares to man the fortification against invaders of the Mongol invasions of Japan, painted c. 1293 As in most cultures around the globe, a war horse in East Asia was trained to be controlled with limited use of reins , responding primarily to the rider's legs and weight . [ 2 ]
Celtic chariot burial, France, La Tène culture, c. 450 BC. The Celtic chariot, which may have been called karbantos in Gaulish (compare Latin carpentum), [52] [53] was a biga that measured approximately 2 m (6 ft 6 + 3 ⁄ 4 in) in width and 4 m (13 ft 1 + 1 ⁄ 2 in) in length. British chariots were open in front.
During Japan's Middle Ages and early modern era, Kasha were depicted as a fiery chariot who took the dead away to hell, and were depicted as such in Buddhist writings, such as rokudo-e. [4] Kasha also appeared in Buddhist paintings of the era, notably jigoku-zōshi (Buddhist ‘ hellscapes ’, paintings depicting the horrors of hell), where ...
The bronze age was the heyday of the chariot. It was one of the main technological advances that allowed for the Indo-european migration throughout Eurasia [page needed] and the chariot remained a key status symbol and weapon of war of Egyptians, Mesopotamians, Hittites and Mycenaeans until the bronze age collapse. [1]
Sugimoto's book An Introduction to Japanese Society, first published by Cambridge University Press in 1997 and now in its fifth edition, "conclusively challenged the traditional notion that Japan comprised a uniform culture and showed how Japan, like most countries, had subcultural diversity and class competition."
The Japanese "national character" has been written about under the term Nihonjinron, literally meaning 'theories/discussions about the Japanese people' and referring to texts on matters that are normally the concerns of sociology, psychology, history, linguistics, and philosophy, but emphasizing the authors' assumptions or perceptions of ...