Search results
Results from the WOW.Com Content Network
Author Ann Bannon has stated that men would read the covers literally, attracted to the art of half-dressed women in a bedroom scene, and women would read the covers iconically: two women looking at each other, or one woman standing, another on a bed, with the trigger words of "strange" or "twilight" meaning that the book had lesbian content in it.
There is one more "false ending" in which the protagonist commits suicide ahead of the finale, and another secret ending which only becomes available after waiting five minutes before choosing a dialogue option. Mass Effect 3's endings were cause for controversy. Players felt their character choices felt inconsequential and criticized the game ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Catherine M. Wilson's When Women Were Warriors series: Book 1: The Warrior's Path, 2: A Journey of the Heart, and 3: A Hero's Tale; Malinda Lo's Ash and Huntress; Women on the Edge of Space, a space-opera anthology published by Circlet Press; Gay male author Geoff Ryman's Arthur C. Clarke Award-winning The Child Garden features a lesbian ...
Not all bad choices will take the reader to a bad ending immediately; instead, they will sometimes take the reader to another page which has its own choices, but all of them will lead to a bad ending - this is because a previous choice has put the reader in an inescapable situation, where there is no chance of making it out alive, and although ...
The search engine that helps you find exactly what you're looking for. Find the most relevant information, video, images, and answers from all across the Web.
According to Dozois, Dangerous Women was conceived as a "cross-genre anthology, one that would mingle every kind of fiction, so we asked writers from every genre—science fiction, fantasy, mystery, historical, horror, paranormal romance, men and women alike—to tackle the theme." [4] The anthology was originally announced as Femmes Fatale. [5]
The book is a first-person narrative in which Mildred Lathbury records the humdrum details of her everyday life in post-war London near the start of the 1950s. Perpetually self-deprecating, but with the sharpest wit, Mildred is a clergyman's daughter who is now just over thirty and lives in "a shabby part…very much the 'wrong' side of Victoria Station".