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Notably, Don Campbell also played drums and percussion on the first groundbreaking Dub Syndicate album, The Pounding System (Ambience In Dub), released in 1982. Amongst a mostly original collection of compositions, the album featured versions of contemporaneous Prince Far I tracks, in particular, one vocal and dub song being an account of the ...
British reggae singer Don Campbell, along with General Saint, recorded a cover version of Stop That Train in 1994, as "Saint & Campbell". Their version had a house music influence, and replaced the original song's verses with new lyrics sung in a toasting style.
The Lockers (originally named The Campbell Lockers) was a dance group formed by Toni Basil and Don "Campbellock" Campbell in 1971. Active throughout the 1970s, they were pioneers of street dance . Campbell is the founder of the locking dance style , and originally, locking was called The Campbellock—a style that was based on the dance and ...
Don "Campbellock" Campbell (January 8, 1951 – March 30, 2020) was an American dancer and choreographer who was best known for having invented the "locking" dance, [1] and for his work with The Lockers. Born in Saint Louis, Missouri in January 1951, Campbell discovered dance while studying commercial art at Los Angeles Trade–Technical ...
The 1997 book by Don Campbell, The Mozart Effect: Tapping the Power of Music to Heal the Body, Strengthen the Mind, and Unlock the Creative Spirit, [7] discusses the theory that listening to Mozart (especially the piano concertos) may temporarily increase one's IQ and produce many other beneficial effects on mental function.
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The beginning of locking can be traced to Don Campbell.In the late 1960s he put together several fad dances adding moves of his own (known as the "Lock") when performing. . The original lock was created by accident: Campbell couldn't do a move called the "funky chicken" and stopped at a particular point whilst moving his arms, creating a 'locking' effe
War of Words was the first album by Singers & Players. It was released in the U.S. on 99 Records in November 1981 and then in the U.K. on On-U Sound Records in August 1982. It was produced by Adrian Sherwood and engineered by Dennis Bovell, John Walker, Nobby Turner, Richard Manwaring and Steve Smith.