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The last movement is in sonata form. According to music historian Glenn Stanley, Beethoven "exploited the possibility that a string section can realize both angularity and rhythmic contrast if used as an obbligato-like background", [12] particularly in the coda, which contains an example, rare in Beethoven's music, of the dynamic marking fff.
The title of Beethoven's work, 'Drei Equale für vier Posaunen' is derived from the mediaeval Latin musical term ad equales or a voce (or a parte) equali.It designates two or more performers who sustain an equally difficult and important part ('equal voices') in either vocal or instrumental music, written for a particular restricted range of voice parts.
This page lists classical pieces in the trombone repertoire, including solo works, concertenti and chamber music of which trombone plays a significant part. Solo trombone [ edit ]
Piano Sonata No. 17: Scores at the International Music Score Library Project; A lecture covering the compositional process on Beethoven's piano sonata Op. 31, No. 2; A lecture by András Schiff on Beethoven's piano sonata Op. 31, No. 2; Recording of this Sonata by Alberto Cobo; Recording of this Sonata by Serg van Gennip
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
Although it was numbered as the first piece in the trio of piano sonatas which were published as Opus 31 in 1803, Beethoven actually finished it after the Op. 31 No. 2, the Tempest Sonata. Due to his dissatisfaction with the classical style of music, Beethoven pledged to take a new path of musical composition and style.
A lecture by András Schiff on Beethoven's piano sonata Op. 14, No. 1; Notes on the cycle of the sonatas performed by Artur Pizarro; Notes by Christian Leotta includes information on the quartet version; Piano Sonata No. 9: Scores at the International Music Score Library Project; Recording by Paavali Jumppanen, piano from the Isabella Stewart ...
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