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For Hamann it is also, and precisely, the world which God enters, but for Kierkegaard the place of this event is solely the individual, who in the decision of his faith, effected by grace, rises above the world, with which the “humorist” [in this case Hamann] continues to identify the “idea of God.” Kierkegaard, in other words, reaches ...
Belief is not a form of knowledge, but a free act, an expression of will, it is not having a relationship with a doctrine but having a relationship with God. Kierkegaard says "Faith, self-active, relates itself to the improbable and the paradox, is self-active in discovering it and in holding it fast at every moment-in order to be able to believe."
One of the work’s core themes is that attempting to understand Abraham through rational ethical thinking (Silentio mentions Greek philosophy and Hegel) leads to the reductio ad absurdum conclusion that (a) there must be something that transcends this type of thinking or (b) there is no such thing as “faith,” which would mean Abraham’s characterization as the “father of the faith ...
Steere wrote Doors Into Life in 1948 and devoted his fourth chapter to Kierkegaard and Purity of Heart. He said, "In a strangely universal way, Kierkegaard is both ancient and modern, both a fierce desert prophet and a metropolitan sophisticate who is all too well schooled in the artifices of modern life to be deceived by them."
Kierkegaard posited three stages of human existence: the aesthetic, the ethical, and the religious, the latter coming after what is often called the leap of faith. [citation needed] Kierkegaard argued that the universe is fundamentally paradoxical, and that its greatest paradox is the transcendent union of God and humans in the person of Jesus ...
Kierkegaard doesn't believe God is so objective toward human beings but rather that he is the absolute subjective being. He put it this way in 1846: The subjective thinker is a dialectician dealing with the existential, and he has the passion of thought requisite for holding fast to the qualitative disjunction.
Many of Kierkegaard's earlier writings from 1843 to 1846 were written pseudonymously. In the non-pseudonymous The Point of View of My Work as an Author, he explained that the pseudonymous works are written from perspectives which are not his own: while Kierkegaard himself was a religious author, the pseudonymous authors wrote from points of view that were aesthetic or speculative.
Kierkegaard published Two Upbuilding Discourses three months after the publication of his book Either/Or, which ended without a conclusion to the argument between A, the aesthete, and B, the ethicist, as to which is the best way to live one's life. Kierkegaard hoped the book would transform everything for both of them into inwardness. [1]