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B♭ alto — up a perfect fourth. A — up a major third. G — up a major second. E — down a minor second. E♭ — down a major second (used for horn on pitches with multiple sharps until Richard Strauss) D — down a minor third. C — down a perfect fourth. B♭ basso — down a perfect fifth. Some less common transpositions include:
The echo-laden sound was then channeled back to the control room, where it was recorded on tape. The natural reverberation and echo from the hard walls of the echo chamber gave Spector's productions their distinctive quality and resulted in a rich, complex sound that, when played on AM radio, had a texture rarely heard in musical recordings ...
Underwater acoustics (also known as hydroacoustics) is the study of the propagation of sound in water and the interaction of the mechanical waves that constitute sound with the water, its contents and its boundaries. The water may be in the ocean, a lake, a river or a tank. Typical frequencies associated with underwater acoustics are between 10 ...
For the Love of Money. " For the Love of Money " is a soul, funk song that was written and composed by Kenneth Gamble, Leon Huff, and Anthony Jackson; it was recorded by Philadelphia soul group The O'Jays for the album Ship Ahoy. Produced by Gamble and Huff for Philadelphia International Records, "For the Love of Money" was issued as a single ...
Hand-stopping. Hand-stopping is a technique by which a natural horn or a natural trumpet can be made to produce notes outside of its normal harmonic series. By inserting the hand, cupped, into the bell, the player can reduce the pitch of a note by a semitone or more. This, combined with the use of crooks changing the key of the instrument ...
Send tape echo echo delay (more commonly known as STEED, alternatively known as single tape echo and echo delay [1] [2]) is a technique used in magnetic tape sound recording to apply a delay effect using tape loops and echo chambers . In 2006, while publicising his memoir ( Here, There, and Everywhere: My Life Recording the Music of The Beatles ...
The Concerto for Horn and Hardart, S. 27, is a work of Peter Schickele composing under the pseudonym P. D. Q. Bach.The work is a parody of the classical double concerto but where one instrument, the hardart, uses different devices, such as plucked strings, blown whistles and popped balloons, to produce each note in its range.
The German horn is the most common type of orchestral horn, [22] and is ordinarily known simply as the "horn". The double horn in F/B♭ is the version most used by professional bands and orchestras. A musician who plays the German horn is called a horn player (or, less frequently, a hornist).