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In editorial practice, a trope is "a substitution of a word or phrase by a less literal word or phrase". [2] Semantic change has expanded the definition of the literary term trope to also describe a writer's usage of commonly recurring or overused literary techniques and rhetorical devices (characters and situations) [ 3 ] [ 4 ] [ 5 ] , motifs ...
For example, the phrase, "John, my best friend" uses the scheme known as apposition. Tropes (from Greek trepein, 'to turn') change the general meaning of words. An example of a trope is irony, which is the use of words to convey the opposite of their usual meaning ("For Brutus is an honorable man; / So are they all, all honorable men").
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
A scheme of balance, parallelism represents "one of the basic principles of grammar and rhetoric". [ 2 ] Parallelism as a rhetorical device is used in many languages and cultures around the world in poetry, epics, songs, written prose and speech, from the folk level to the professional.
In rhetoric, a scheme is a type of figure of speech that relies on the structure of the sentence, unlike the trope, which plays with the meanings of words. [ 1 ] A single phrase may involve both a trope and a scheme, e.g., may use both alliteration and allegory .
The repetition of identical or similar sounds, usually accented vowel sounds and succeeding consonant sounds at the end of words, and often at the ends of lines of prose or poetry. [7] For example, in the following lines from a poem by A. E. Housman, the last words of both lines rhyme with each other. Loveliest of trees, the cherry now
There are a few well-known examples of chain rhyme in world literature. In the Persian language, chain rhyme is almost exclusively devoted to the poetic form of the Rubaiyat: a poem that makes use of quatrains with the rhyme scheme AABA. Though not necessarily chain rhyme, the Rubiyat form has been mimicked throughout the world.
Some examples of topoi are the following: the locus amoenus (for example, the imaginary world of Arcadia) and the locus horridus (for example, Dante's Inferno); the idyll; cemetery poetry (see the Spoon River Anthology); love and death (in Greek, eros and thanatos), love as disease and love as death, (see the character of Dido in Virgil's Aeneid);