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Govardhan, Emperor Jahangir visiting the ascetic Jadrup, c. 1616–1620 [1]. Mughal painting is a South Asian style of painting on paper made in to miniatures either as book illustrations or as single works to be kept in albums (), originating from the territory of the Mughal Empire in the Indian subcontinent.
Portrait of an old man, a presumed self-portrait (detail). Metropolitan Museum of Art, New York. Farrukh Beg (Persian: فرخ بیگ; c. 1547 – after 1615), also known as Farrukh Husayn, was a Persian miniature painter, who spent a bulk of his career in Safavid Iran and Mughal India, praised by Mughal Emperor Jahangir as "unrivaled in the age."
The most significant paintings, in terms of zoology, are those of the Siberian crane and the dodo. The Siberian crane painting was made well before it was formally described and given a binomial name by Peter Simon Pallas in 1773. The painting of the dodo is among the rare few that were depicted in colour and is a very important source for ...
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Smaller scale painting in manuscripts was probably also practised in this period, though the earliest survivals are from the medieval period. [1] A new style emerged in the Mughal era as a fusion of the Persian miniature with older Indian traditions, and from the 17th century its style was diffused across Indian princely courts of all religions ...
Miskin (c. 1560 - c. 1604), also known as Miskina, was a Mughal painter in the court of Akbar I. The name 'Miskin' itself is a pen name. [1] Miskin is recorded by the historian and grand vizier of Akbar, Abu'l-Fazl, in a record containing a list of prominent Mughal painters. Further, he is regarded as an extremely skilled painter of animals.
Self-portrait by Mir Sayyid Ali, Los Angeles County Museum of Art, 1550 Mir Sayyid Ali (Persian: میرسید علی, Tabriz, 1510 – 1572) was a Persian miniature painter who was a leading artist of Persian miniatures before working under the Mughal dynasty in India, where he became one of the artists responsible for developing the style of Mughal painting, under Emperor Akbar.
Ragini Todi. Mughal, c. 1750. Salar Jung Museum. In 1570, Kshemakarna, a priest of Rewa in Central India, compiled a poetic text on the Ragamala in Sanskrit, which describes six principal Ragas—Bhairava, Malakoshika, Hindola, Deepak, Shri, and Megha—each having five Raginis and eight Ragaputras, except Raga Shri, which has six Raginis and nine Ragaputras, thus making a Ragamala family of ...