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Govardhan, Emperor Jahangir visiting the ascetic Jadrup, c. 1616–1620 [1]. Mughal painting is a South Asian style of painting on paper made in to miniatures either as book illustrations or as single works to be kept in albums (), originating from the territory of the Mughal Empire in the Indian subcontinent.
This painting's image measures 197 x 128.5 cm and is the largest known Mughal painting. Gouache with gold on fine cotton Squirrels in a Plane Tree: c. 1610 British Library: One of the most famous painting associated with Abu al-Hasan's name, Squirrels in a Plane Tree, is a depiction of animal posture and
Bichitr (fl. 17th century) was an Indian painter during the Mughal period, patronized by the emperors Jahangir and Shah Jahan. [1] The earliest known painting of his is a mature work from c. 1615. Most of his paintings are formal portraits, and a large number of portraits in the 1630s are credited to him.
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Self-portrait by Mir Sayyid Ali, Los Angeles County Museum of Art, 1550 Mir Sayyid Ali (Persian: میرسید علی, Tabriz, 1510 – 1572) was a Persian miniature painter who was a leading artist of Persian miniatures before working under the Mughal dynasty in India, where he became one of the artists responsible for developing the style of Mughal painting, under Emperor Akbar.
Barbad Plays for Khusraw, Khamsa of Nizami, British Library, Oriental 2265, 1539–43, inscribed Mirza Ali at bottom left. 'Abd al-Ṣamad or Khwaja 'Abd-us-Ṣamad was a 16th century painter of Persian miniatures who moved to India and became one of the founding masters of the Mughal miniature tradition, and later the holder of a number of senior administrative roles.
The Gulshan album was an early project of the cultured Mughal emperor Jahangir (r. 1605–1627). [7] Based on internal inscriptions, the collection was probably begun about 1599, while Jahangir was still Prince Salim, governor of Allahabad and son of the ageing Emperor Akbar, and continued till about 1609. [6]
Ragini Todi. Mughal, c. 1750. Salar Jung Museum. In 1570, Kshemakarna, a priest of Rewa in Central India, compiled a poetic text on the Ragamala in Sanskrit, which describes six principal Ragas—Bhairava, Malakoshika, Hindola, Deepak, Shri, and Megha—each having five Raginis and eight Ragaputras, except Raga Shri, which has six Raginis and nine Ragaputras, thus making a Ragamala family of ...