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Neutral density of 1 stop + color conversion, the opposite of the 80A; this is a warming filter that takes an outdoor scene lit by sunlight (which has a color temperature around 5500 K) and makes it appear to be lit by tungsten incandescent bulbs around 3400 K. This allows an indoor balanced film to be used to photograph outdoors.
The colors of the chart were described by McCamy et al. with colorimetric measurements using the CIE 1931 2° standard observer and Illuminant C, and also in terms of the Munsell color system. Using measured reflectance spectra, it is possible to derive CIELAB coordinates for Illuminants D 65 and D 50 and coordinates in sRGB ( D 65 ).
A comparison between a typical normalized M cone's spectral sensitivity and the CIE 1931 luminosity function for a standard observer in photopic vision. In the CIE 1931 model, Y is the luminance, Z is quasi-equal to blue (of CIE RGB), and X is a mix of the three CIE RGB curves chosen to be nonnegative (see § Definition of the CIE XYZ color space).
CIELUV is an Adams chromatic valence color space and is an update of the CIE 1964 (U*, V*, W*) color space (CIEUVW). The differences include a slightly modified lightness scale and a modified uniform chromaticity scale, in which one of the coordinates, v′, is 1.5 times as large as v in its 1960 predecessor.
This is by design; the XYZ color matching functions are normalized such that their integrals over the visible spectrum are the same. [1] Illuminant E is not a black body, so it does not have a color temperature, but it can be approximated by a D series illuminant with a CCT of 5455 K. (Of the canonical illuminants, D 55 is the closest.)
The "CIELCh" or "CIEHLC" space is a color space based on CIELAB, which uses the polar coordinates C* (chroma, relative saturation) and h° (hue angle, angle of the hue in the CIELAB color wheel) instead of the Cartesian coordinates a* and b*. The CIELAB lightness L* remains unchanged. The conversion of a* and b* to C* and h° is performed as ...
A "color model" is an abstract mathematical model describing the way colors can be represented as tuples of numbers (e.g. triples in RGB or quadruples in CMYK); however, a color model with no associated mapping function to an absolute color space is a more or less arbitrary color system with no connection to any globally understood system of ...
In color management, an ICC profile is a set of data that characterizes a color input or output device, or a color space, according to standards promulgated by the Interglobal Color Consortium (ICC). Profiles describe the color attributes of a particular device or viewing requirement by defining a mapping between the device source or target ...
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