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A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
The work is composed of three movements: [2] Allegro spirituoso; Andante; Rondo: Allegretto; Full performances last about 22 minutes. [2]Charles-David Lehrer believed that the first movement of the concerto was similar to the oboe concertos of Johann Christian Fischer, Johann Christian Bach, and Carl Stamitz, also arguing that it was similar in structure to the Johann Stamitz and Carl Philipp ...
GWV 318 — Concerto for 2 trumpets in D major; GWV 319 — Concerto for 2 violins in E flat major; GWV 320 — Flute Concerto in E major; GWV 321 — Concerto for 2 flutes in E minor; GWV 322 — Concerto for 2 flutes in E minor; GWV 323 — Recorder Concerto in F major; GWV 324 — Oboe Concerto in F major; GWV 325 — Concerto for 2 ...
Silvestrini received commissions for chamber music from numerous institutions such as the Festival de Flaine, the Théâtre du Châtelet, the Bibliothèque nationale de France, Musique nouvelle en liberté [], [1] France Musique, etc.
In addition, he played the bassoon, oboe, and musette. [6] Hotteterre was also an internationally celebrated teacher to aristocratic patrons. He wrote one method for the transverse flute, recorder, and oboe, published in 1707, as well as a method for the musette, published in 1737. His L'Art de préluder sur la flûte traversière was published ...
The taille, also called the taille de hautbois or the alto oboe, was a Baroque tenor oboe pitched in F. It had a straight body, an open bell, and two keys. [1] The instrument was first used in Alcidiane by Jean-Baptiste Lully in 1658 and in French ensembles known as the bandes de hautbois, in which it played the inner lines of polyphonic ...