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Relational art or relational aesthetics is a mode or tendency in fine art practice originally observed and highlighted by French art critic Nicolas Bourriaud.Bourriaud defined the approach as "a set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space."
Writing in Frieze art magazine, Carl Freedman said, "Traffic and Bourriaud’s concept of ‘relationality’ were just too unspecific to be capable of defining a new art, especially when so many of the works did little to support the exhibition’s premise. This was an ambitiously funded exhibition which was only able to provide the viewer ...
Relational Aesthetics in particular has come to be seen as a defining text for a wide variety of art produced by a generation who came to prominence in Europe in the early 1990s. Bourriaud coined the term in 1995, in a text for the catalogue of the exhibition Traffic that was shown at the CAPC contemporary art museum [13] in Bordeaux.
Littoral art is a term used by Canadian artist and writer Bruce Barber to describe art occurring outside of the institutions of the artworld. [1] It is a manifestation of Nicolas Bourriaud's relational aesthetics and is public and community-based, emphasizing the interaction between artists and spectators. [1]
Relational art, a mode or tendency in fine art practice originally observed and highlighted by French art critic Nicolas Bourriaud Relational dialectics , a concept within communication theory Relational theory , a framework to understand reality or a physical system in such a way that the positions and other properties of objects are only ...
Claire Bishop is a British art historian, critic, and Presidential Professor of Art History at CUNY Graduate Center, New York where she has taught since September 2008. [1] [2] Bishop is known as one of the central theorists of participation in visual art and performance.
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