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The Victor Talking Machine Company was an American recording company and phonograph manufacturer, incorporated in 1901. Victor was an independent enterprise until 1929 when it was purchased by the Radio Corporation of America (RCA) and became the RCA Victor Division of the Radio Corporation of America until late 1968, when it was renamed RCA Records.
In the early 1950s, the memory of the Orthophonic was fresh enough for RCA Victor to introduce the name "New Orthophonic" for its improved recording process and line of high-fidelity long-playing records and "Stereo-Orthophonic" was applied to RCA Victor's celebrated "Living Stereo" recordings issued later in the decade.
The RCA Victor Division was renamed RCA Records; the 'Victor' and 'Victrola' trademarks were no longer used on RCA consumer electronics. 'Victor' was now restricted to the labels and album covers of RCA's regular popular record releases, while the Nipper/"His Master's Voice" trademark was seen only on the album covers of Red Seal records.
RCA Victrola was a budget record label introduced by RCA Victor in the early 1960s to reissue classical recordings originally released on the RCA Victor "Red Seal" label. The name "Victrola" came from the early console phonographs first marketed by the Victor Talking Machine Company in 1906. Many of RCA Victrola's reissues included recordings ...
RCA Victor also utilized the Manhattan Center on West 34th Street, the opera house originally built in 1906 by Oscar Hammerstein I, and Webster Hall on East 11th Street, where RCA built a small control room off to the side of ballroom. From the 1920s through the 1940s, RCA Victor also occasionally recorded at Liederkranz Hall on East 58th ...
1959 Seeburg 16 rpm record (label only) Columbia and RCA Victor each pursued their R&D secretly. [65] The commercial rivalry between RCA Victor and Columbia Records led to RCA Victor's introduction of what it had intended to be a competing vinyl format, the 7-inch (175 mm) 45 rpm disc, with a much larger center hole.
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