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The Restoration spectacular, or elaborately staged machine play, hit the London public stage in the late 17th-century Restoration period, enthralling audiences with action, music, dance, moveable scenery, baroque illusionistic painting, gorgeous costumes, and special effects such as trapdoor tricks, "flying" actors, and fireworks. These shows ...
17th century in England (65 C, 69 P) 1700s in England (17 C, 13 P) 1710s in England (13 C, 2 P) C. ... Stuart Restoration; Rye House Plot; S. Seven Bishops; Spanish ...
The Restoration of 1660 was a deliberate return to the stability of the early 17th century. There was very little recrimination. King Charles acted with moderation and self-restraint, and with energy and attention to details. [41]
The Stuart period in London began with the reign of James VI and I in 1603 and ended with the death of Queen Anne in 1714. London grew massively in population during this period, from about 200,000 in 1600 to over 575,000 by 1700, and in physical size, sprawling outside its city walls to encompass previously outlying districts such as Shoreditch, Clerkenwell, and Westminster.
Gheeraerts was also the brother-in-law of Lucas de Heere's apprentice John de Critz the Elder, [13] who took the dynasty into the Stuart period, and was succeeded as Serjeant-Painter by his son. De Heere was also a religious refugee from Flanders ; although the upheavals of the Protestant Reformation acted to reduce artistic contacts ...
The Restoration spectacular was a type of theatre production of the late 17th-century Restoration period, defined by the amount of money, time, sets, and performers it required to be produced. Productions attracted audiences with elaborate action, acrobatics, dance, costume, scenery , illusionistic painting , trapdoors , and fireworks .
Restoration style, also known as Carolean style from the name Carolus (Latin for 'Charles'), refers to the decorative and literary arts that became popular in England from the restoration of the monarchy in 1660 under Charles II (reigned from 1660 to 1685) until the late 1680s. [1] Similar shifts appeared in prose style. [2]
1973, Andrew Oddy, the main conservator at the British Museum, proposed a test to determine the safety of materials to art objects, now called the Oddy test. 1974, First students began training in the three-year graduate program in conservation sponsored jointly by the University of Delaware and Winterthur Museu [20]