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The Restoration spectacular, or elaborately staged machine play, hit the London public stage in the late 17th-century Restoration period, enthralling audiences with action, music, dance, moveable scenery, baroque illusionistic painting, gorgeous costumes, and special effects such as trapdoor tricks, "flying" actors, and fireworks. These shows ...
17th century in England (65 C, 69 P) 1700s in England (17 C, 13 P) 1710s in England (13 C, 2 P) C. ... Stuart Restoration; Rye House Plot; S. Seven Bishops; Spanish ...
The Restoration of 1660 was a deliberate return to the stability of the early 17th century. There was very little recrimination. King Charles acted with moderation and self-restraint, and with energy and attention to details. [ 41 ]
Seal of Virginia following the Restoration of King Charles II in 1660. Virginia Cavaliers were royalist supporters (known as Cavaliers) in the Royal Colony of Virginia at various times during the era of the English Civil War and the Stuart Restoration in the mid-17th century.
The Stuart period in London began with the reign of James VI and I in 1603 and ended with the death of Queen Anne in 1714. London grew massively in population during this period, from about 200,000 in 1600 to over 575,000 by 1700, and in physical size, sprawling outside its city walls to encompass previously outlying districts such as Shoreditch, Clerkenwell, and Westminster.
Restoration style, also known as Carolean style from the name Carolus (Latin for 'Charles'), refers to the decorative and literary arts that became popular in England from the restoration of the monarchy in 1660 under Charles II (reigned from 1660 to 1685) until the late 1680s. [1] Similar shifts appeared in prose style. [2]
In the 18th century, painting restoration became a separate profession in France. 1735 to 1820, Restoration of paintings in the Spanish royal collections following a 1734 fire. Hundreds of important paintings were methodically treated in a specially constructed studio; materials used have been documented by Zahira Véliz.
The most famous painter from the region in the late 17th and early 18th century is Antoine Watteau, whose hometown of Valenciennes had been annexed by France a decade before he was born. Otherwise, few painters from about 1700 until the end of the United Kingdom of the Netherlands in 1830 have been incorporated into the art historical discourse.