Search results
Results from the WOW.Com Content Network
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
A supercut is a genre of video editing consisting of a montage of short clips with the same theme. The theme may be an action, a scene, a word or phrase, an object, a gesture, or a cliché or trope. [1] [2] [3] The technique has its roots in film and television [2] and is related to vidding. [3]
The video was done in one shot and lip synced backwards to allow for McFadden to still be in sync while the video goes backwards. LCD Soundsystem – "Drunk Girls", 2010; The video is a long take until near the end, when a few cuts are introduced. Kanye West – "Mercy", 2012; The video is made of multiple long takes superimposed over one another.
The Beatles' output is characterised by the group's stylistic eclecticism.. The 1968 song Honey Pie is a useful example of these eclectic methods of music writing.. In the song's introduction, for example, Paul McCartney's vocals are EQ-ed to resemble a 1930s-style radio announcement, with additional vinyl crackles ('Now she's hit the big time!').
A sound bite or soundbite [1] [2] is a short clip of speech or music extracted from a longer piece of audio, often used to promote or exemplify the full length piece. In the context of journalism, a sound bite is characterized by a short phrase or sentence that captures the essence of what the speaker was trying to say, and is used to summarize information and entice the reader or viewer.
In Western music theory, the term sentence is analogous to the way the term is used in linguistics, in that it usually refers to a complete, somewhat self-contained statement. Usually a sentence refers to musical spans towards the lower end of the durational scale; i.e. melodic or thematic entities well below the level of movement or section ...
According to Andranik Tangian, [7] analytical phrasing can be quite subjective, the only point is that it should follow a certain logic. For example, Webern’s Klangfarbenmelodie-styled orchestral arrangement of Ricercar from Bach’s Musical offering demonstrates Webern’s analytical phrasing of the theme, which is quite subjective on the one hand but, on the other hand, logically consistent: