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In music, a melody of four pitches where a straight line drawn between the outer pair bisects a straight line drawn between the inner pair, thus forming a cross. In its simplest form, the cruciform melody is a changing tone, where the melody ascends or descends by step, skips below or above the first pitch, then returns to the first pitch by step.
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The cruciform plan was a landmark development in Christian architecture, because it replaced a basilica plan with a centralized shrine plan. [9] Dozens of cruciform church buildings of the late fourth and early fifth centuries were rough imitations of the Constantine-era Church of the Holy Apostles, such as St. Ambrose's Church of the Apostles ...
Amiens Cathedral floorplan: massive piers support the west end towers; transepts are abbreviated; seven radiating chapels form the chevet reached from the ambulatory. In Western ecclesiastical architecture, a cathedral diagram is a floor plan showing the sections of walls and piers, giving an idea of the profiles of their columns and ribbing.
More often, the transepts extended well beyond the sides of the rest of the building, forming the shape of a cross. This design is called a Latin cross ground plan, and these extensions are known as the "arms" of the transept. [1] A Greek cross ground plan, with all four extensions the same length, produces a central-plan structure.
The two former layouts, the open square (or rarely, circular) and the cruciform have been found best suited to celebration of the Divine Liturgy. These two interior layouts tend to be square/circular in form rather than elongated. The cruciform is the oldest of the two interior layouts and seems to be of Byzantine origin.
A crux immissa or Latin cross. A Latin cross or crux immissa is a type of cross in which the vertical beam sticks above the crossbeam, [1] giving the cross four arms. Typically the two horizontal and upper vertical arm are the same length, although sometimes the vertical is shorter, however the lower vertical arm is always much longer than any other arm.
This type has several variants, including the cruciform halo and the Celtic cross. [5] A cruciform halo is used to represent the persons of the Holy Trinity, especially Jesus, and it was used especially in medieval art. Forked cross: A cross in the form of the letter Y that gained popularity in the late 13th or early 14th century in the German ...