Search results
Results from the WOW.Com Content Network
By the end of the decade, hip-hop was an integral part of popular music, and many American pop songs had hip-hop components. Hip-hop has been described as a "mainstream subculture". The main reasons why hip-hop culture secured its subcultural authority despite becoming a part of the mass media and mainstream industries can be summarized as follows.
Hip hop or hip-hop is a culture and art movement that was created by African Americans, [1] [2] and Caribbean Americans [3] starting in the Bronx, New York City. [a] Pioneered from Black and Caribbean American street culture, [5] [6] that had been around for years prior to its more mainstream discovery. [7]
American rapper 50 Cent (Curtis Jackson) sporting a hip-hop look at Warfield Theatre, San Francisco, June 3, 2010. Rapping (also rhyming, flowing, spitting, [1] emceeing, [2] or MCing [2] [3]) is an artistic form of vocal delivery and emotive expression that incorporates "rhyme, rhythmic speech, and [commonly] street vernacular". [4]
From disco to AKs. Whether it was seen as a fun new form of disco, important Black urban storytelling, or an irresponsible, violence-glorifying genre, early rap was a juicy tale for the press
During the 1990s, pop rap began to expand even more as hip hop music also began to connect strongly with dance music and R&B. [2] [3] In the early 1990s, MC Hammer and Vanilla Ice broke into the mainstream with songs such as "U Can't Touch This" and "Ice Ice Baby", respectively, but the two sampled from both songs of the 1980s. [6]
Progressive rap music is defined by its critical themes around societal concerns such as structural inequalities and political responsibility. According to Lincoln University professor and author Emery Petchaur, artists in the genre frequently analyze "structural, systematic, and reproduced" sources of oppression and inequality in the world, [3] while Anthony B. Pinn of Rice University ...
These songs reflected the nuances between the different classes involved in the liberation struggle. [15] One of the genres people of Africa use for political expression is Hip hop. [43] Although hip hop in Africa is based on the North American template, it has been remade to produce new meanings for African young people.
The concept of "rages" at rap concerts and the use of the term "rage" in hip hop music predate the rage subgenre itself: [4] the first person to use the term "rage" in context of hip-hop is said to be Kid Cudi, with his "Mr. Rager" alter-ego, which influenced Travis Scott who later adopted the term "rage" and made it an important part of his ...