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Blah, Blah, Blah is the debut studio album by American Brooklyn-based hip hop duo Blahzay Blahzay. It was released on August 13, 1996, on Fader/Mercury/PolyGram Records. The recording sessions took place at D&D Studios and at Firehouse Studio, in New York. The album was produced by the duo.
Hip hop does not simply draw inspiration from a range of samples, but it layers these fragments into an artistic object. If sampling is the first level of hip hop aesthetics, how the pieces or elements fit together constitute the second level. Hip hop emphasizes and calls attention to its layered nature.
Sampling is one of the foundations of hip-hop, which emerged in the 1980s. [34] Hip-hop sampling has been likened to the origins of blues and rock, which were created by repurposing existing music. [24] The Guardian journalist David McNamee wrote that "two record decks and your dad's old funk collection was once the working-class black answer ...
The Holy Book of Hip-Hop was a catalogue of musical samples used in hip-hop music, published in 2001 by Black Glove Publishing. The Los Angeles Times has identified its origins as an illicit print version of Blaine Armsterd's "Sampling FAQ", which was itself compiled from Armsterd's own record collection, from liner notes, and from posts to Usenet. [1]
"Hay" is a song written and performed by American hip hop group Crucial Conflict, released as the lead single from their debut full-length album The Final Tic. It was recorded at The Barn in Chicago , Illinois and produced by member Wildstyle, who used a sampled of Funkadelic 's " I'll Stay ".
Sampledelia features "disorienting, perception-warping" manipulations of audio samples or found sounds via techniques such as chopping, looping or stretching. [2] [3] Sampladelic techniques have been applied prominently in styles of electronic music and hip hop, [4] such as trip hop, jungle, post-rock, and plunderphonics. [5]
Pen & Pixel Graphics, Inc., was an American graphic design firm based in Houston, Texas that specialized in musical album covers, especially for gangsta rap artists in the Southern United States. For a long time, it was the house design firm for No Limit Records , Cash Money Records , and Suave House Records .
In the United States, the song peaked at number 57 on the Billboard Hot 100, number 35 on the Hot R&B/Hip-Hop Songs, number 59 on the R&B/Hip-Hop Airplay, number 9 on the Hot Rap Songs, and topped the Dance Singles Sales charts. It also made it to number 84 on the UK singles chart and number 12 on the UK Official Dance Singles Chart.