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It was released by Sony Music Latin on 1 February 2024 as the second single off Iglesias' album Final (Vol. 2). [1] The song was produced by Carlos Paucar and mastered by Randy Merrill . An accompanying music video directed by frequent Enrique Iglesias collaborator, Alejandro Pérez, was released alongside the song on 1 February 2024.
Mi Vida: Grandes Éxitos is a double-CD greatest hits album by Spanish singer Julio Iglesias, released on 13 October 1998 through Columbia Records. [ 2 ] The album contained a special selection of 38 songs Julio Iglesias had recorded over four decades.
The film tells the stories of three end-of-the millennium Cubans, whose lives intersect on the Day of Santa Barbara (the African Saint Chango, ruler of destinies).Mariana, a ballerina, ponders breaking chastity vows she made to land the coveted role of Giselle; Julia has fainting spells each time she hears the word "sex," and Elpidio, a musician, seduces a gringa tourist while Bebe, the ...
"Asi es la Vida" is a song by Spanish singer Enrique Iglesias and Argentinian singer María Becerra. It was released by Sony Music Latin on 28 September 2023 as the lead single off Iglesias's twelfth and final album Final (Vol. 2) (2024). [1] The song was produced by Carlos Paucar and mastered by Randy Merrill. [2]
"El Costo de la Vida" (transl. "The Cost of Living") [1] is a song by Dominican Republic singer-songwriter Juan Luis Guerra from his sixth studio album, Areíto (1992). The song was released as the album's third single in 1992 by Karen Records. It is a Spanish-language adaptation of soukous song "Kimia Eve" composed by Diblo Dibala.
Nek's fifth album, In due was released in June 1998 and he followed it with La vita è in 2000 and Le cose da difendere in 2002. Nek celebrated his first ten years as a recording artist with The Best of Nek: L'anno zero in October 2003.
RCF is an Italian audio products manufacturer founded in 1949 in Reggio Emilia, [1] [2] Italy. The first products sold were microphones and electroacoustic transducers (loudspeakers). In the late ’60s, concert sound was going electric, and many loudspeaker pioneers were searching for high-powered devices to use in their designs.
As the title implies, the album consists of Colombia's vallenato classics, not only popular during its time, but in a new rock style, nearly turning the songs into new compositions. For example, the album opener "La gota fria", when compared to the original by Emiliano Zuleta, sounds like two distinct songs, if one were to ignore song lyrics. [4]