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Briseis (/ b r aɪ ˈ s iː ɪ s /; Ancient Greek: Βρισηίς, romanized: Brīsēís, lit. 'daughter of Briseus', pronounced [briːsɛːís] ), also known as Hippodameia ( Ἱπποδάμεια , [hippodámeːa] ), [ 2 ] is a significant character in the Iliad .
The plot begins when Greeks led by Achilles sack Lyrnessus, describing the looting and burning of the city, the massacre of its men and the abduction of its women including Briseis, the childless wife of king Mynes. When the women are handed out to the leaders of the Greek raiders, Briseis, as beautiful and of royal blood, is given to Achilles.
Reviews for A Thousand Ships were generally positive, with reviewers praising the writing style and the feminist recentering of classic myths.Publishers Weekly called the novel "an enthralling reimagining" and wrote "Haynes shines by twisting common perceptions of the Trojan War and its aftermath in order to capture the women’s experiences". [10]
A coin featuring the profile of Hera on one face and Zeus on the other, c. 210 AC. Roman conquerors of the Hellenic East allowed the incorporation of existing Greek mythological figures such as Zeus into their coinage in places like Phrygia, in order to "augment the fame" of the locality, while "creating a stronger civil identity" without "advertising" the imposition of Roman culture.
Greek mathematicians lived in cities spread over the entire region, from Anatolia to Italy and North Africa, but were united by Greek culture and the Greek language. [119] The development of mathematics as a theoretical discipline and the use of deductive reasoning in proofs is an important difference between Greek mathematics and those of ...
Briseis taken away from Achilles, Fourth Style of Pompeian wall painting, from the atrium of the House of the Tragic Poet Detail. Achilles and Briseis is an ancient Roman painting from the 1st-century AD, depicting the scene from the Iliad where the captured Trojan princess and priestess Briseis is taken away from Achilles by the order of Agamemnon.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
There were some who resisted this Greek influence on every aspect of life. For example, Cato the Elder prophesied Rome's demise; he considered everything Greek to be suspect; he even mistrusted Greek doctors and claimed that they only wanted to poison Romans. Roman writings frequently stereotyped the Greeks as untrustworthy, debauched and ...