Search results
Results from the WOW.Com Content Network
Timothy John Follin (born 19 December 1970) [1] is an English video game music composer, cinematographer, visual effects artist and game developer, who has written tracks for a variety of titles and home gaming systems, including the ZX Spectrum, Commodore 64, Amiga, Atari ST, Nintendo Entertainment System, Mega Drive, Super NES, Game Boy, Dreamcast, and PlayStation.
At Williams, he was the lead composer and sound designer for games such as Black Knight 2000, [4] Space Station, Swords of Fury, Banzai Run as well as the video game, NARC and also contributed to Fire and Big Guns. [5] In 1989, his theme from the video game, NARC, was recorded and released by the Pixies. [6]
Kevin Penkin (born 22 May 1992) is a British-born Australian composer, primarily for video games and anime.He is best known for composing the score of the anime Made in Abyss, which won Best Score at the 2nd Crunchyroll Anime Awards, and the score for the Tower of God anime adaptation, which won Best Score at the 5th Crunchyroll Anime Awards.
The Elder Scrolls V: Skyrim: Original Game Soundtrack is the soundtrack album for the 2011 role-playing video game The Elder Scrolls V: Skyrim from Bethesda Softworks, composed by Jeremy Soule. Soule composed the soundtracks for the previous two games in The Elder Scrolls series, Morrowind and Oblivion , and re-used some motifs from those ...
The composer explains that the lack of artistic freedom made him tired. [ 6 ] In 2023, Stéphane Picq announced on Eklecty-City the reissue of Dune Spice Opera , the original soundtrack to the video game Dune , released in 1992.
Andrew Hulshult is an American video game music composer and sound designer. [2] He is best known for his work with New Blood Interactive as well as his scores for several first-person shooters , such as Dusk , Quake Champions , and Doom Eternal .
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Deriviere took interest in music since childhood, studying classical percussion at the age of five. At the age of eight, Deliviere's mother bought a synthesizer, which he used to write various short pieces, and took interest in game music after hearing the main menu theme for Shadow of the Beast, which led to Deriviere taking advanced harmony and orchestration courses. [1]