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"Beat the Clock" is a 1979 song by the American pop and rock duo Sparks. Produced by famed disco producer Giorgio Moroder, it was released as the fourth single from the band's eighth studio album No. 1 in Heaven. The song peaked at number 10 in August 1979 and spent six weeks in the UK Singles Chart. [1]
Released in March 1979 by Virgin Records (with initial copies on colored vinyl) and later licensed to Elektra Records in the US, Nº 1 in Heaven renewed interest in the band after disappointing sales of the preceding albums Big Beat (1976) and Introducing Sparks (1977). It is the band's only album on Elektra, the fourth label that the band was ...
Kimono My House is the third studio album by American rock band Sparks, released on May 1, 1974, by Island Records. [1] The album is considered to be their commercial breakthrough, and was met with widespread acclaim.
"The Number One Song in Heaven" is a disco song by the American rock duo Sparks. Released as a single in 1979, the song was produced and co-written by electro-disco producer Giorgio Moroder . It became a top 20 hit in the UK, where it peaked at number 14.
Gratuitous Sax & Senseless Violins became Sparks most successful album in Germany reaching #29 [12] and scored three hits on the German Singles chart. While the album only reached #150 [13] on the UK Albums Chart, the singles did well enough to return the group to the Top 40, the first time since "Beat the Clock" in 1979.
Terminal Jive is the ninth album by the American rock band Sparks and the second recorded with Giorgio Moroder.The album has a disco-vibe like its predecessor but featured fewer synthesizers, opting instead for more electric rock guitar, resulting in a new wave sound. [4]
Skylar Diggins-Smith had 26 points, Gabby Williams scored 13 of her 17 in the second quarter and the Seattle Storm beat the Los Angeles Sparks 90-82 on Wednesday night. Los Angeles (7-30) is off ...
A Steady Drip, Drip, Drip is the 24th studio album by American rock group Sparks.Recorded in gaps between Sparks' film projects, the album uses a full rock-group format to draw on the band's full range of musical styles and was universally acclaimed by critics, who praised both its lyrical and melodic content.