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This page lists classical pieces in the trombone repertoire, including solo works, concertenti and chamber music of which trombone plays a significant part. Solo trombone [ edit ]
"Seventy-Six Trombones" is a show tune and the signature song from the 1957 musical The Music Man, by Meredith Willson, a film of the same name in 1962 and a made-for-TV movie in 2003. The piece is commonly played by marching bands, military bands, and orchestras.
This involved some re-writing in order to give the words the right note-values. [32] The music was transposed a tone lower to make it easier for the vocalists. [44] His arrangements of WoO 30 Nos. 1 and 3 for male voices and piano were published in June 1827, prefaced by a lengthy description of the funeral and the music.
Four Freshmen and 5 Trombones is a 1956 album by The Four Freshmen [1] "It reached number six nationally and resided on the charts for over eight months." [ 2 ] It was the first album bought by Brian Wilson , who would be greatly influenced by the Four Freshmen when starting The Beach Boys . [ 3 ]
John Lewis, The Modern Jazz Society Presents a Concert of Contemporary Music (Norgran, 1955) Howard McGhee, Howard McGhee, Vol. 1 (Blue Note, 1950) Jimmy McGriff The Big Band (Solid State, 1966) Chico O'Farrill, Nine Flags (Impulse!, 1966) Charlie Parker, Charlie Parker on Dial (Dial, 1947) Moacir Santos, Carnival of the Spirits (Blue Note, 1975)
The rest of the combination tones are octaves of 100 Hz so the 7:5 interval actually contains four notes: 100 Hz (and its octaves), 300 Hz, 500 Hz and 700 Hz. The lowest combination tone (100 Hz) is a seventeenth (two octaves and a major third) below the lower (actual sounding) note of the tritone.
First record with band accompanient. Trombone solo by Arthur Pryor and Sousa's band, recorded in Apr 14, 1900 Trombone solo by Arthur Pryor and Sousa's band. Recorded Apr 14, 1900. The song was arranged by Arthur Pryor for trombone with accompaniment. This version is usually called "Blue Bells of Scotland".
Sequenza V is a composition for solo trombone by Luciano Berio, part of his series of pieces with this title.Written in 1966 for Stuart Dempster, it has since been performed and recorded by Vinko Globokar, Benny Sluchin, Christian Lindberg, and others.