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The first more or less objective biography of Wilde came about when Hesketh Pearson wrote Oscar Wilde: His Life and Wit (1946). [251] In 1954 Wilde's son Vyvyan Holland published his memoir Son of Oscar Wilde, which recounts the difficulties Wilde's wife and children faced after his imprisonment. [252] It was revised and updated by Merlin ...
Even Oscar Browning, a personal friend whom Wilde had asked to review the book, complained in The Academy that "the story, as far as there is one, is most repulsive", and that "Mr Wilde has no magic to veil the hideousness of a sensuality which feeds on statues and dead bodies", while conceding that the poem had "music, beauty, imagination and ...
The complete works of Oscar Wilde: vol. 1, Poems and poems in prose, ed. by Bobby Fong and Karl Beckson (Oxford: Oxford University Press, 2000) Mercurio, Jeremiah Romano, "Faithful Infidelity: Charles Ricketts's Illustrations for Two of Oscar Wilde's Poems in Prose", Victorian Network 3:1 (2011), pp. 3–21
Oscar Wilde in the year "The Harlot's House" was published "The Harlot's House" (1885) is a 36-line poem in terza rima [1] by Oscar Wilde. It touches on the issue of prostitution in a style which can be seen as either Aesthetic or Decadent. It is considered one of Wilde's finest poems, and has been set to music several times.
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The couple never divorced, but Constance forced Wilde to give up his parental rights. She moved with her sons to Switzerland and enrolled them in an English-language boarding school in Germany. They never saw their father again. [citation needed] Constance visited Oscar in prison so she could tell him the news of his mother's death. [10]
The soul is wiser than we are, writes Wilde, it is the concentrated racial experience revealed by the imagination. Criticism is above reason, sincerity and fairness; it is necessarily subjective. It is increasingly more to criticism than to creation that future belongs as its subject matter and the need to impose form on chaos constantly increases.
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